jillian rae
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new album

“i can’t be the one you want me to be”

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Who is jillian Rae?

Having cultivated a reputation as the go-to violin accompanist for dozens of bluegrass, rock, and pop bands (including The Okee Dokee BrothersCorpse ReviverAdam Levy, and Steve Kaul & the Brass Kings) Jillian Rae planted her own flag in the musical landscape with the 2013 release of Heartbeat, a confident pop record with subtle nods to her bluegrass and classical pedigrees. Her songs are full of heartache, truth, and often a beguiling sense of playfulness. Rae's songwriting is not easily pigeonholed, and neither is her playing. You can find her playing country fiddle on one tune, rock guitar on the next, or driving her violin through synthy guitar effects on another.

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As engaging as her arrangements can be, the real show stopper of her records or live performances is always her effortlessly powerful voice. When Jillian Rae sings, you believe her. Such is the case on her 2017 EP, Wanderlust. More of a stripped-down country record, Wanderlust showcases Rae's dynamic and earnest vocal chops. Music journalist Youa Vang called Rae a heavy hitter whose "voice will stay with you long after the show is over."

If Jillian Rae fans thought that Wanderlust might be signal that she's going country, she has more surprises in store. With the release of her new full length “I can’t be the one you want me to be”, Rae made an even harder pivot. Fans got an early taste of her collaborations with a new lineup and a new producer (The Library Studio's Matt Patrick), in her cover of Prince's legendary When Doves Cry. Released as a single, the homage is not only a wholesale rewrite of the tune befitting the towering status of the original, it's also a marker of a new direction with this new staff on board.

With contributions from Patrick, as well as guitarist and longtime collaborator Eric Martin, bassist Jimmy Osterholt, and drummer Alex Young, “I can’t be the one you want me” to be is saturated in heavy grooves, moody arrangements, and unflinching honesty. And of course her voice, which has never sounded better, more dynamic, or more true than it does on this collection of songs.

Press

Not much about Jillian Rae’s past as a classical violinist and sidewoman to the Okee Dokee Brothers and Brass Kings foreshadowed her second full-length solo album, tellingly titled ‘I Can’t Be the One You Want Me to Be’ and truly transformative. It’s a full-on rock collection with loads of drama and dirt, a little electronic pop and dissonance and ample ’90s flavor that’s part Ani and Alanis.
— Chris Riemenschneider, Star Tribune
Rae is the real deal. Her level of performance on stage and in the studio is professional but also fun and engaging.
— Paul Whyte, Duluth Reader
You will fall head over heels for Jillian Rae.
— Scott Herold, Cause Rock, Cities 97
A rollicking mix of folk, rock and bluegrass... With a soulful voice and spirited energy, [Rae] delves deep into romantic tumult on Heartbeat.
— Vita.Mn
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A triple treat on vocals, fiddle, and composition, she also surprises by showcasing snarling guitars and rock ‘n’ roll rhythms, along with some country-western seasoning. The songs are so bright, and Rae’s singing so hopeful, that it takes a few moments to realize her songs are mostly about the vicissitudes of love. It is, as a whole, a joyous expression of strength and resilience.
— Star Tribune
An appealing and crisply produced collection firmly in the bourgeoning Americana vein.
— 89.3 The Current
One of the most satisfying, realized debut releases of the year.
— Hymie's Vintage Records
What she brings to the table from vocals to her violin is straight up fantastic.
— Paul Whyte, Duluth Reader
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